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the hum of your veiled voice

by Jake Muir

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about

Moving away from the American surf pop manipulations of his debut 'Lady's Mantle', Jake journeys through a nocturnal city-scape meandering the dimly lit streets via club back rooms and decadent boudoirs; his ode to the endless night and those who take residence under it's cloak.

A psychedelic map of ASMR rattles, drones and tones melting in-and-out of the night with the heaving intensity of an open window on a busy city street, lubricating familiar rumbles with sensual tones, mirroring the blurry high of a low-light encounter.


Boomkat:

'The hum of your veiled voice’ was written by Muir in the wake of his transition from a life in Los Angeles to a new start in Berlin. It sees him transpose field recordings of his former home city into a hazier sort of mid-ground that subtly diffracts the difference with Berlin in summer, refining the shimmering production tekkers of his West Coast surf-pop tribute ‘Lady’s Mantle’ (2018) with a nuanced, lower case emotive tactility intended to arouse heady states of atmospheric tension between nostalgic sehnsucht and romantic promise. 

Muir readily acknowledges influence from the more washed out, elusive textures, timbres, and spatial awareness of artists such as Philip Jeck, Richard Chartier, and Marina Rosenfeld, as opposed to the usual touchstones of AFX or Eno. But more implicitly he references a sense of queered ambience shared with Chartier’s Pinkcourtesyphone, and as such his music is seduced by the allure of “gay bathhouses and spas, club back rooms and decadent boudoirs” in a way that suffuses the whole record with an, intoxicating, aphrodisiac quality. 

Supine and seductive in its illustration of an “endless night”, the devil lies in the album’s evocative intricacies, using a signature light touch and Akira Rabelais’ Argeïphontes Lyre software to ruffle locked grooves and dusty jazz loops into ASMR-triggering texturhythms and dematerialised, hea(r)tsick blurs between the ear-stroking ephemera of ‘fleeting touches’ and the way his music appears to waltz out of an open window over Berlin at night in ‘the dimness of the sealed eye’, and land on the pillow next to you ‘like sweet thoughts in a dream’.

credits

released October 22, 2020

Mastered by Stephan Mathieu at Schwebung Mastering.
Photography by Jake Muir.

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sferic Manchester, UK

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